Black, Brown and Beige (album)
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| Black, Brown and Beige | |||||
|---|---|---|---|---|---|
| Studio album by Duke Ellington | |||||
| Released | 1958 | ||||
| Recorded | 1958 | ||||
| Genre | Swing Big band music |
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| Length | 72:48 | ||||
| Label | Columbia | ||||
| Producer | Irving Townsend | ||||
| Professional reviews | |||||
| Duke Ellington chronology | |||||
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Black, Brown and Beige is a 1958 jazz album by Duke Ellington and his orchestra, featuring Mahalia Jackson.
The album is a recording of a revised version of Ellington's Black, Brown and Beige suite. After a disappointing critical response to its first performance in 1943, Ellington divided the three-part suite into six shorter sections, leaving in "Come Sunday" and "Work Song", and it is this version that is recorded here.
[edit] Personnel
- Duke Ellington — piano
- William "Cat" Anderson — trumpet
- Harold Shorty Baker — trumpet
- Clark Terry — trumpet
- Ray Nance — trumpet, violin
- John Sanders — valve trombone
- Quentin Jackson — trombone
- Britt Woodman — trombone
- Paul Gonsalves — tenor saxophone
- Bill Graham — alto saxophone
- Harry Carney — baritone saxophone
- Jimmy Woode — bass
- Sam Woodyard — drums
- Mahalia Jackson — vocals
[edit] Track listing
- "Part I" –8:17
- "Part II" –6:14
- "Part III" (aka Light) –6:26
- "Part IV" (aka Come Sunday) –7:58
- "Part V" (aka Come Sunday) –3:46
- "Part VI" (23rd Psalm) –3:01
- Bonus tracks on re-releases
- "Track 360" (aka Trains) (alternative take) -2:02
- "Blues in Orbit" (aka Tender) (alternative take) -2:36
- "Part I" (alternative take) –6:49
- "Part II" (alternative take) –6:38
- "Part III" (alternative take) –3:08
- "Part IV" (alternative take) –2:23
- "Part V" (alternative take) –5:51
- "Part VI" (alternative take) –1:59
- "Studio conversation" (Mahalia Swears) –0:07
- "Come Sunday" (a cappella) –5:47
- "(Pause track)" –0:06

