Beatrice Harrison

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Beatrice Harrison (b. 1892 Roorkee, N.W. India, d. 1965 Surrey, England) was a British cellist active in the first half of the twentieth century. She gave first performances of several important English works, especially those of Delius, and made the first or standard recordings of others.

Contents 1 Early training 2 A musical family 3 First performances of the Delius repertoire 4 The Elgar concerto 5 'a nightingale singing along with her' 6 Wartime again 7 Recordings 8 Beatrice Harrison in Literature 9 Sources 10 External links

[edit] Early training

The Harrison family moved back from India to England in the childhood of Beatrice. She studied at the Royal College of Music, London, and afterwards under Hugo Becker, and at the High School of Music in Berlin. In 1910 she won the Mendelssohn Prize, and made her debut in the Bechstein Hall, Berlin.

[edit] A musical family

Beatrice was the sister of May Harrison, violinist, a student of Leopold Auer, Margaret Harrison, a pianist, and Monica. Like the family of Mark Hambourg, this was one in which the children were taught separate instruments so that they could play in ensemble. May had once stood in for Fritz Kreisler in a Mendelssohn concert at Helsingfors. Both May and Beatrice won the Gold Medal of the Associated Board for violin and cello respectively. The Harrison family became friends with Roger Quilter and his circle through the Soldiers' concerts in 1916. On March 11th 1918 Beatrice performed the Dvorak concerto with the Royal Philharmonic Orchestra under Thomas Beecham.

Hugo Becker had spoken to Sir Henry Wood of his admiration for Beatrice Harrison's playing even before her debut. Both Elgar and Wood were great admirers. May and Beatrice performed together under Wood's baton in the double (violin and cello) concerto of Brahms.

[edit] First performances of the Delius repertoire

Beatrice was the first performer of the cello sonata of Delius (Wigmore Hall, 31 Oct 1918): on November 11th, May gave the first performance of the Delius Violin Sonata no 1, which she later recorded with Arnold Bax at the piano. Quilter attended both performances, for they were playing his music in concerts at that time also. The violin concerto, written at Grez-sur-Loing in 1919, had its first performance at Queen's Hall with Albert Sammons (the dedicatee) under Adrian Boult in the same year. Beatrice and her sister delivered the first performance of the double concerto of Delius (which he had written in 1915, dedicated 'to the memory of all young artists fallen in the War') in his presence at a Queen's Hall Symphony Concert in January 1920. After this Delius returned to Grez and, at Beatrice Harrison's request, began work on his cello concerto. She performed the cello sonata at a concert in Paris on June 8th. After two months' uninterrupted work in his Hampstead flat Delius finished the concerto in the spring of 1921, and it was performed by the cellist whom Sir Thomas Beecham called 'this talented lady.' When Delius's remains were re-buried according to his wishes in a southern English country churchyard, on 24 May 1935, the village chosen was Limpsfield near the Harrison home at Oxted in Surrey: Beatrice Harrison played after the service, at which Thomas Beecham gave the oration.

[edit] The Elgar concerto

Beatrice gave the first performance of the Elgar cello concerto outside London, at the Three Choirs Festival in Hereford in 1921. By 1924 she had toured in Europe and America, and in November 1925 she reappeared at the Royal Philharmonic in the all-Elgar concert, performing the cello concerto under Elgar's baton. This was the occasion upon which the Gold Medal was awarded to Sir Edward by Henry Wood on behalf of the Society. A year or two later, when the advent of electrical recording had improved the technical potential of the gramophone, Beatrice Harrison was naturally the soloist chosen to make the 'official' HMV recording of the concerto with Elgar conducting.

In 1929 at the Harrogate festival she was a contributor at a festival concert of works associated with the Frankfurt Group (Quilter and colleagues), and in 1933 Quilter re-arranged his 'L'Amour de moy' for her for a broadcast.

[edit] 'a nightingale singing along with her'

Beatrice Harrison's performances became well-known through broadcast in the early days of BBC sound radio. She made some 'live' recordings in which she sat and played her cello in the garden of her house at Oxted, and the nightingales which frequented the place sang as she was playing. The tunes thus recorded included 'Songs my mother taught me' (Dvorak), Chant Hindu (Rimski-Korsakov) and the Londonderry Air (the tune of 'Danny Boy'). Records were also issued of the nightingales singing alone and of the dawn chorus in the same garden. These recordings were extremely popular.

At least one person, however, has suggested that the bird sounds heard on the BBC recordings were not those of a real nightingale, but of a talented whistler, Maude Gould [1].

[edit] Wartime again

Perhaps inevitably the Elgar concerto was the work with which she was most closely identified, not least in her performances for Henry Wood. There was a very successful performance in August 1937, and another at the Elgar Concert of 27 August 1940, with the London Symphony Orchestra, in the old Queen's Hall, less than a year before it was destroyed by German bombing. On this occasion the soloist's style was particularly animated, causing her ringlets to 'dance' in such a way that the orchestral players were distracted. During the concert, just before 'Nimrod', there was a rattle of gunfire outside and plaster fell inside the hall. Sir Henry considered her performance the finest he had ever directed. She was one of the English solioists who took part in Wood's very final season in July 1944, a month before his death.

Beatrice Harrison owned and played a cello made by Pietro Guarneri (Pietro da Venezia) (1695-1762).

[edit] Recordings

(Not a complete list)

• Elgar: Cello concerto (New Symphony Orchestra cond. by Edward Elgar) HMV D1507-9 (3 records).
• Delius: Cello Sonata (w. Harold Craxton, pno) HMV D1103-4 (2 records).
• Delius: Elegie, and Caprice (Orchestra cond. by Eric Fenby) HMV B3721 (1 record).
• Delius: Entr'acte and Serenade from Hassan Incidental Music (w. Margaret Harrison, pno). HMV B3274 (1 record).
• Nightingales/Londonderry Air/Chant Hindu HMV B2470 10"
• Dawn in an old world garden/Nightingales HMV B2469 10"
• Nightingales/Songs my mother taught me etc HMV B2853 10"

[edit] Beatrice Harrison in Literature

• Beatrice Harrison's performances with nightingales formed the subject of a poem 'The Nightingale Broadcasts' by Robert Saxton which won the 2001 Prize of the Keats-Shelley Memorial Association. See [2] and [3]
• Her nightingale recordings were the inspiration for a 2004 play by Patricia Cleveland Peck, The Cello and the Nightingale [4], [5]
• Beatrice Harrison's performances with nightingales are referred to as a dramatic device in order to introduce an episode with nightingales in John Preston's 2007 novel The Dig.

[edit] Sources

• T. Beecham, Frederick Delius (Hutchinson & Co, London 1959).
• R.T. Darrell, The Gramophone Shop Encyclopedia of Recorded Music (New York 1936).
• A. Eaglefield-Hull (Ed.), A Dictionary of Modern Music and Musicians (Dent, London 1924).
• R. Elkin, Royal Philharmonic, The Annals of the Royal Philharmonic Society (Rider & Co, London 1946).
• V. Langfield, Roger Quilter, His Life and Music (Woodbridge, Boydell 2002).
• R. Pound, Sir Henry Wood (Cassell, London 1969).
• H. Wood, My Life of Music (Gollancz, London 1938).

[edit] External links

• BBC recordings of Beatrice Harrison and birds