Basil Wolverton

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Mad #11 (May 1954). Cover art by Wolverton in his trademark "spaghetti and meatballs" style. This image is a candidate for speedy deletion. It may be deleted after seven days from the date of nomination.
Mad #11 (May 1954). Cover art by Wolverton in his trademark "spaghetti and meatballs" style.
This image is a candidate for speedy deletion. It may be deleted after seven days from the date of nomination.

Basil Wolverton (July 9, 1909 – December 31, 1978) was an American cartoonist, comic book writer-artist, illustrator and professed "Producer of Preposterous Pictures of Peculiar People who Prowl this Perplexing Planet",[1] whose many publishers included Marvel Comics and Mad Magazine.

His unique, humorously grotesque drawings have elicited a wide range of reactions. Cartoonist Will Elder said he finds Wolverton's technique "outrageously inventive, defying every conventional standard yet upholding a very unusual sense of humor. He was a refreshing original", while Jules Feiffer has said, "I don't like his work. I think it's ugly".[2]

Contents

[edit] Biography

[edit] Early life and career

Born in Central Point, Oregon, he later moved to Vancouver, Washington, and worked as a vaudeville performer and a cartoonist and reporter for the Portland News. At age 16 he sold his first nationally published work and began pitching comic strips to newspaper syndicates. His comic strip, Marco of Mars, was accepted by the Independent Syndicate of New York in 1929 but never distributed because it was deemed too similar to Buck Rogers, which debuted that year.

Disk-Eyes the Detective and Spacehawks were published in 1938 in Circus comics. In 1940, Spacehawk (a different and improved feature) made its debut in Target Comics, running for 30 episodes (262 pages) until 1942.

[edit] Powerhouse Pepper and Lena Hyena

Wolverton's humor feature Powerhouse Pepper, about a superstrong if none-too-bright boxer, appeared in various comic books published by Timely Comics, the 1930s and '40s precursor of Marvel Comics, from 1942 through 1952 (76 episodes, 539 pages[citation needed]). Admirers consider that series a high watermark of humorous comics, with its alliterative, rhyming dialogue, screwball comedy, and throwaway gags in background signs. Wolverton drew an estimated[citation needed] total of 1,300 comic book pages.

In 1946 Wolverton won a contest to depict "Lena Hyena", the world's ugliest woman, a running gag in Al Capp's Li'l Abner newspaper strip where Lena remained unseen beneath an editorial note stating her face had been covered to protect readers. Capp, responding to popular demand, announced a contest for artists to submit their interpretations to be judged by Boris Karloff, Frank Sinatra and Salvador Dali. Out of 500,000 entries, Wolverton's was the winner; it appeared in a Li'l Abner daily and Life magazine. Wolverton's fame briefly lead to Life and Pageant printing his caricatures. The Lena portrait typified the unique "spaghetti and meatballs" style he employed regularly thereafter.

In the 1950s, Wolverton produced what some regard[citation needed] as his best work — 17 comic-book horror and science-fiction stories for Marvel and other comic-book publishers, including one story by author Daniel Keyes. Wolverton also contributed to Mad from the 1950s through the 1970s.

L'il Abner daily strip by Al Capp, introducing Basil Wolverton's "Lena Hyena"
L'il Abner daily strip by Al Capp, introducing Basil Wolverton's "Lena Hyena"

In 1956 Wolverton illustrated Herbert Armstrong's apocalyptic booklet 1975 in Prophecy, and later, The Book of Revelation Unveiled at Last, offered free on Armstrong's radio show The World Tomorrow. In 1958, Wolverton began writing and illustrating The Bible Story, also titled The Story of Man, covering the entire history of the Old Testament, and serialized in The Plain Truth and later published in six volumes.

[edit] Later career

In 1968 Wolverton did a series of posters for Topps, displaying his trademark twisted headshots, and in 1973 he returned to mainstream comics, illustrating several covers for Joe Orlando's satiric Plop! at DC Comics. His return was cut short by a stroke in 1974. He died in Vancouver, Washington, four years later.

[edit] Personal

Wolverton was baptised into Herbert W. Armstrong's Radio Church of God in 1941, was ordained as an elder in 1943. A board member of that church, he was one of the six people, including Armstrong and his wife, who re-incorporated the church in 1946 when it moved its original headquarters from Oregon to California.

Wolverton's son, editorial cartoonist Monte Wolverton, can draw in a style almost indistinguishable from his father's, and like his father, he has worked for The Plain Truth and contributed to Mad.

[edit] Trivia

 Trivia sections are discouraged under Wikipedia guidelines.
The article could be improved by integrating relevant items and removing inappropriate ones.

Some of Wolverton's humor features were collected in Wolvertoons (Fantagraphics, 1990), edited by Dick Voll with graphic design by Bhob Stewart. The book received an endorsement on a television documentary about horror/fantasy writer-director Clive Barker. In one sequence, Barker. running through a Los Angeles bookstore, stopped to pull a copy of Wolvertoons off the shelf. Holding it up to the camera, he said, "Grotesqueries!", and then continued running through the store.

Wolverton recorded an a cappella version of the standard "Has Anybody Seen My Girl"

[edit] Footnotes

  1. ^ Yahoo! Groups: Basilwolvertonia
  2. ^ Both quotes from Wolvertoons: The Art of Basil Wolverton, edited by Dick Voll. (Fantagraphics Books, 1990) ISBN-10 1560970227, ISBN-13 978-1560970224

[edit] References

[edit] Books

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