Anri Sala
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| Anri Sala | |
| Birth name | Anri Sala |
| Born | 1974 Tirana, Albania |
| Nationality | Albanian |
Anri Sala (born 1974, Tirana, Albania) is a contemporary artist. He studied art at the Albanian Academy of Arts from 1992 - 1996. He has also studied video at the Ecole Nationale des Arts Decoratifs, Paris and film directory in Le Fresnoy-Studio National des Arts Contemporains, Tourcoing. He lives and works in Paris, France. His primary medium is that of video.
His video installation called "Dammi i colori" ("Give me the colors") is on display at Tate Modern in London. The installation reflects on Tirana's transformation in 2003 by means of colors. The installation includes a conversation with Tirana's mayor, Mr. Edi Rama, a personal friend of the artist's and the force behind this transformation.
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[edit] Work
[edit] Individual exhibitions
2005
- Dammi I Colori, DAAD-Galerie, Berlin
- Videos, Museum Boijmans van Beuningen, Rotterdam
2004
- Alfonso Artiaco, Neapel
- Anri Sala - Wo sich Fuchs und Hase gute Nacht sagen, Deichtorhallen, Hamburg
2003
- Blindfold, Galerie Johnen + Schöttle, Köln
- Kunsthalle Wien
- Castello di Rivoli
2002
- Programa, Mexico City
- OPA (artist run space), Guadalajara, Mexiko
2000
- De Appel Foundation, Amsterdam
- Galerie Johnen + Schöttle, Köln (zusammen mit Martin Boyce)
- Galerie Rüdiger Schöttle, München (zusammen mit Torsten Slama)
2001
- Galerie Chantal Croussel, Paris
2002
- Hauser & Wirth, Zürich
[edit] Group Exhibitions
2003
- Witness, The Curve, Barbican Centre, London
2002
- In Search of Balcania, Graz
- The mind Is a Horse, Bloomberg Space, London
- Geschichte(n), Salzburger Kunstverein
- ‚el aire es azul – the air is blue’, Casa Museo Luis Barragán
- Haunted by Details, DeAppel, Amsterdam
- Cardinales, Museo de Arte Contemporanea de Vigo, Vigo
2001
- Berlin Biennale
- Yokohama Biennale, Japan
- Believe, Westfälischer Kunstverin Münster
2000
- Media City Seoul 2000, Seoul Metropolitan Museum, Seoul
- Geographies: Darren Almond – Graham Gussin – Anri Sala, Galerie Chantal Croussel, Paris
- voilà- le monde dans la tête, Musée d’art moderne de la ville de Paris
- Manifesta 3, Ljubiana, Slowenien
- The world in mind, ARC, Musée d’Art Moderne de la Ville de Paris
- Wie Weg - Disappeared < rotor >, Association for Contemporary Art, Graz
- Wider Bild Gegen Wart- Positions to a political discours, Raum Aktueller Kunst, Wien
- Man muss ganz schön viel lernen, um hier zu funktionieren, Frankfurter Kunstverein
1999
- After the wall, Museum of Modern Art, Stockholm
- Albanischer Pavillon, 47. Biennale Venedig
1997
- Ostrenanije-97, Video Festival, Bauhaus, Dessau
1995
- Tunnel 95, National Gallery, Tirana
- Spring 95, First Prize, National Gallery, Tirana
- Symposium Kultur Kontakt, Kunsthaus Horn, Österreich
[edit] Group Exhibition s
2005
- Situated Self ,Museum of Contemporary Art Belgrad, Belgrade
2004
- Delay, Museum Boijmans van Beuningen, Rotterdam
- SITUATIONS CONSTRUITES, attitudes espace d'arts contemporains, Genève
- utopia station: auf dem weg nach porto alegre, Haus der Kunst, Munich
- Time Zones: Recent Film and Video, Tate Modern, Londres
- Point of View - An Anthology of the Moving Image, UCLA Hammer Museum, Los Angeles, CA
- Point of View: An Anthology of the Moving Image, New Museum of Contemporary Art, New York, NY
2003
- Fast Forward , ZKM | Museum für Neue Kunst, Karlsruhe
- In den Schluchten des Balkan - Eine Reportage, Kunsthalle Fridericianum, Cassel
- Dreams and Conflicts:The Dictatorship of the Viewer, La Biennale di Venezia, Venise
- Die Erfindung der Vergangenheit, Pinakothek der Moderne, Munich
- Hardcore - vers un nouvel activisme / towards a new activism, Palais de Tokyo, Paris
- Witness, The Curve, Barbican Centre, London
2002
- Missing Landscape, Galerie Johnen + Schöttle, Köln
- In Search of Balcania, Graz
- The mind Is a Horse, Bloomberg Space, London
- Geschichte(n), Salzburger Kunstverein
- ‚el aire es azul – the air is blue’, Casa Museo Luis Barragán
- Haunted by Details, DeAppel, Amsterdam
- Cardinales, Museo de Arte Contemporanea de Vigo, Vigo
2001
- Berlin Biennale
- Yokohama Biennale, Japan
- Believe, Westfälischer Kunstverin Münster
2000
- Media City Seoul 2000, Seoul Metropolitan Museum, Seoul
- Geographies: Darren Almond – Graham Gussin – Anri Sala, Galerie Chantal Croussel, Paris
- voilà- le monde dans la tête, Musée d’art moderne de la ville de Paris
- Manifesta 3, Ljubiana, Slowenien
- The world in mind, ARC, Musée d’Art Moderne de la Ville de Paris
- Wie Weg - Disappeared < rotor >, Association for Contemporary Art, Graz
- Wider Bild Gegen Wart- Positions to a political discours, Raum Aktueller Kunst, Wien
- Man muss ganz schön viel lernen, um hier zu funktionieren, Frankfurter Kunstverein
1999
- After the wall, Museum of Modern Art, Stockholm
- Albanischer Pavillon, 47. Biennale Venedig
1997
- Ostrenanije-97, Video Festival, Bauhaus, Dessau
1995
- Tunnel 95, National Gallery, Tirana
- Spring 95, First Prize, National Gallery, Tirana
- Symposium Kultur Kontakt, Kunsthaus Horn, Österreich
[edit] Short Films
1999
- QUELLE HISTOIRE ? (Mirage Illimité), Paris
- NOCTURNES (Le Fresnoy), Tourcoing, Frankreich, ausgewählt bei den Rencontres cinématographiques,Tourcoing (1999) ; ausgewählt beim Short Film Festival, Clermont Ferrand (2000)
1998
- INTERVISTA - finding the words (Ideale Audience, ENSAD), Paris,
- Best Film Award, Estavar Video Festival, Estavar,
- Best Documentary Film Award, Entrevues Festival, Belfort
- Best Short Film Award, Amascultura Festival, Portugal
- Best Documentary Film Award, International Documentary
- Film Festival, Santiago de Compostela, Spain (1999)
- Best Documentary Film Award, Filmfest 2000, Tirana
