Anita Berber
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| Anita Berber | |
 German postage stamp depicting Otto Dix's painting of Anita Berber
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| Born | 1899 |
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| Died | 1928 Beirut, Lebanon |
| Occupation | dancer, actress, writer, and prostitute |
Anita Berber (1899 – 1928) was a German dancer, actress, writer, and prostitute who was the subject of an Otto Dix painting. She lived during the Weimar period.
Born to divorced bohemian parents (a cabarét artist and a violinist), she was raised mainly by her grandmother in Dresden. By the time she was 16, she had moved to Berlin and made her debut as a cabaret dancer. By 1918 she was working in film, and she began dancing nude in 1919. She was scandalous, androgynous and infamous, quickly making a name for herself on the Berlin scene. She wore heavy dancer’s make-up, which on the black and white photos and films of the time came across as jet black lipstick painted across the heart-shaped part of her skinny lips, and charcoaled eyes.[1]
Her hair was cut fashionably into a short bob and was frequently bright red, as in 1925 when the German painter Otto Dix painted a portrait of her, titled "The Dancer Anita Berber". Her dancer friend and sometime lover Sebastian Droste, who performed in the film Algol (1920), was skinny and had black hair with gelled up curls much like sideburns. Neither of them wore much more than lowslung loincloths and Anita occasionally a corsage worn well below her small breasts.[1]
Anita Berber was allegedly the sexual slave of a woman and the woman's 15-year-old daughter. She could often be seen in Berlin's hotel lobbies, nightclubs and casinos, naked apart from an elegant sable wrap, with a pet monkey and a silver brooch packed with cocaine. She was an alcoholic and cocaine addict, but at the age of 29, gave up both suddenly and completely. According to Mel Gordon in The Seven Addictions and Five Professions of Anita Berber,[2] she was diagnosed with galloping tuberculosis while performing abroad. She died on November 10, 1928 in a Kreuzberg hospital and was buried at St. Thomas cemetery in Neukölln.
A 1987 film by Rosa von Praunheim titled Anita - Tänze des Lasters centres around the life of Anita Berber.[3]
[edit] References
- ^ a b "Glitter & Doom - Anita, mon amour" (November 2007). Wound Magazine 1 (1): 150–151. London: Francis Malone. ISSN 1755-800X.
- ^ Mel Gordon (2006). The Seven Addictions and Five Professions of Anita Berber: Weimar Berlin's Priestess of Decadence. Feral House. ISBN 1-932595-12-0.
- ^ Anita - Tänze des Lasters. The Internet Movie Database. Retrieved on 2007-11-13.
